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#52
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not a dig at you honest! Just wanted to show Paul what I meant by 'better sculpting on puppets'She's pretty cool tho' what with articulated tongue an all and I can well believe the budget was just a tad higher
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"How can I tell what I think till I see what I say" |
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#53
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I like the big fella, its simple sculpting, and has a certain er, er, simplicity? about it. Almost looks big and daft. I dunno, i like it anyway. It appeals to me and i'm no artist, as you know
. Accurate contours on the body too. Just like my 6 pack I'd like to see some pictures of the big fella without his polystyrene clothes on showing the internal workings assembled if you have them? I like his bed an all. I like the bit in BP where he's laying down in his scratcher. Speaking of which. Laters. |
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#56
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...and you know him! get in there mate!
Here's some rather simpler giants for yez (sorry - try as I might could NOT get the first one to stay the right way up), saw these in Menorca this summer. Tricky mechanism ay? Eat your heart out Drains
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"How can I tell what I think till I see what I say" |
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#58
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Good stuff Si, watched BP via Iplayer. You certainly got feet movement spot on, not even a hint of dragging effect. One point that they (reporters) keep getting wrong is, they keep saying the big fella is made from steel, I'm sure I viewed al/al at puppet workshop..........NO???
Regarding French crowd, your correct Si, different league...........bloody French......ouch, I just got a slap ![]() Laters bud.........
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A good day is being bucket free! |
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#60
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Ok. For Paul, here is a vague attempt at showing the internal workings of the Big Blue laddie. If I get the chance, and the covering comes off, I will take some more informative pics. Here's some clues though, for starters.
View of arm control mech.Notice the upper arm is held on a swivel which can be pulled to make the arm raise sideways. The whole assembly is on a 1 3/4" aluminium tube through some pillow block bearings. Through the tube runs a 1" steel bar running on oilite brgs, which is the control for the forearm. Another view of same Look very carefully. This is looking from behind the head (which isn't there), forwards and down. You can see the swivel that houses the "neck" - 1" bar in oilite again. Below that you can clearly see the tubes carrying the arms, the levers on the inside of the 1" bar, and the ally levers welded to the tubes. There are no ropes on at this point. If there were, you'd see them passing down to the wheels. Here you can see big wheels and small, and ropes attached. Look in the centre at two ropes heading up at 11 o'clock. They are RHS arm, upper and lower control. LHS ropes are hidden. The lower ropes are heading to the legs. Notice also a load of ropes attached to a tube welded to the frame, below the wheels. These are actually bungees (shock cord), used to stop over-run of the wheels, or to create tension to ensure the ropes pulled by the puppeteers (which are led to the big wheels), stay taught on the wheels, as if those ropes go slack, they can come off! This took lots of experiment to get right. There are also ropes attached to that tube which go down into the legs and act as ligaments to control toe movement when he walks. This is how we get him up and down off his "bed", ready to be hooked onto the handler. Lots of pulleys (down behind his feet), four puppeteers to haul up on rope. A Petzl Grigri to let him down though, nice and gentle. His legs are sitting on custom PU foam supports. Lots of fun pouring rapidly expanding, and very hot foam, into gaffa taped up tyvek bags. (there was a roll lying about saying "use me") The carrier plate, also showing control ropes. Carrier plate swivel. This is currently fixed in position as I never found the time to fit an actuator.
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